O‘ZBEK ADABIYOTIDAGI MILLIY KOLORITNING GLOBAL TRANSFORMATSIYASI VA KULMINATSIYADAGI DETALLARNING ESTETIK-FALSAFIY FUNKSIYALARI: NAZAR ESHONQUL ASARLARI VA LOTIN AMERIKASI MAGIK REALIZMI KONTEKSTIDA

This article provides a scholarly, theoretical, comparative, and analytical examination of the transformation of national color in Uzbek literature within a global literary context and the aesthetic-philosophical functions of details in climactic moments, focusing on Nazar Eshonkul’s works in the context of Latin American magical realism. The role of national color in reflecting Uzbek lifestyle, traditions, and mentality, as well as its integration with global literary movements (modernism, postmodernism, magical realism), is analyzed through Eshonkul’s Momo qo‘shiq, Maymun yetaklagan odam, Shamolni tutib bo‘lmaydi, and Qora kitob. These works are compared with Ulug‘bek Hamdam’s Muvozanat, Isajon Sulton’s Qora ko‘zlar, O‘tkir Hoshimov’s Dunyoning ishlari, and G‘afur G‘ulom’s Shum bola. The influence of Latin American magical realism (e.g., Gabriel García Márquez, Jorge Luis Borges) on Eshonkul’s oeuvre, particularly the universalization of national color and the aesthetic-philosophical impact of climactic details, is explored. Grounded in literary theory, the research aims to illuminate artistic mastery in Uzbek literature within a global context.