FROM THE HISTORY OF ISLAMIC BOOKMAKING IN THE TIMURID PERIOD
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This article analyzes the issue of the Timurid reign as a period of development of Islamic bookmaking, describes the contribution of Timurid rulers and princes, as well as masters, to the development of bookmaking. Samples of manuscripts produced during the Timurid period are discussed.
Matluba RAXMANKULOVA. (2024). FROM THE HISTORY OF ISLAMIC BOOKMAKING IN THE TIMURID PERIOD. «ACTA NUUz», 1(1.3.1), 48–52. https://doi.org/10.69617/nuuz.v1i1.3.1.1472
1. Абдураззоқ Самарқандий. Матлаи садайн ва мажмаи баҳрайн. 2-жилд (Масъул муҳаррирлар А.Қаюмов, Муҳаммад Али). – Тошкент.: Ўзбекистон, 2008. – 375 б.
2. Акимушкин О. Ф. Заметки к биографии Камал ад-Дина Бехзада / в кн. Средневековый Иран. Культура, история, филология». – СПб. Наука. 2004. – С. 68-73.
3. Акимушкин О. Легенда о художнике Бехзаде и каллиграфе Махмуде Нишапури / в кн. Средневековый Иран. Культура, история, филология. – СПб. Наука. 2004. – С. 59-63;
4. Заҳириддин Муҳаммад Бобур. Бобурнома. / Танланган асарлар. Нашрга тайёрловчилар С.Азимжонова ва А.Қаюмов. – Тошкент., 1958. – Б. 211.
5. Кази Ахмед. Трактат о каллиграфах и художниках (1005/1596-7). – С.71-73.
6. Кубо Кадзуюки. Меценатская деятельность Алишера Навои // Общественные науки в Узбекистана. 1991, №9. – С.25.
7. Муродов А. Марказий Осиё хаттотлик санъати тарихидан. – Тошкент.: Фан, 1971. – Б. 39.
8. Юсупова Д. Жизнь и труды Хондамира. – Ташкент.: Фан, 2006. – С. 157.
9. Abolala Soudavar, Art of the Persian Courts. – New York: Rizzioli, 1992. – P. 67. cat. no 25.
10. Akbari T., Bayani S. Archaelogical Analysis to Pictorial Shahnameh of Baysongor Mirza Tiymouri // Asian Culture and History; Vol. 5, No. 1; 2013. – P. 24-33;
11. Akimushkin O. The Library-Workshop (Kitabkhana) of Baysunghur Mirza in Herat // Manuscripta Orientalia. – Saint Petersburg, 1997. – № 3/1. – P. 15.
12. Catalogue of Fine Oriental Manuscripts and Miniatures including Property from the Eastate of King Umberto II of Italy. – London, Monday 15th October 1984. – №292.
13. Dodhudoeva L. La bibliothèque de Khwâja Mohammad Pârsâ // Boukhara-la-Noble. 1998. – № 5/6. – P. 125-146.
14. Dost-Muhammad. Preface to the Bahram Mirza Album / A Century of Princes: Sources on Timurid History and Art. Selected and translated by W.Thackston. – Cambridge. – Massachusetts, 1989. – P. 346
15. Ettinghausen R. An illuminated manuscript of Ḥāfiẓ-i Abrū in Istanbul. Part I // Kunst des Orients Vol. 2 (Oktober 1955). – Р. 30-44;
16. Ghiasian Mohamad Reza. Lives of the Prophets: The Illustrations to Hafiz-i Abru’s “Assembly of Chronicles.” – Leiden, Boston: Brill, 2018. – P. 25.
17. Inal G. Some Miniatures of the "Jāmi' al-Tav Ārīkh" in Istanbul, Topkapi Museum, Hazine Library No. 1654 // Ars Orientalis, Vol. 5 (1963). – Р. 163-175;
18. Kühnel E. Die Baysonghur-handschrift der Islamischen Kunstabteilung // Jahrbuch der Preuszischen Kunstsammlungen, 52. Bd., 1931. – P. 133-152;
19. La’lshateri M. Art of Khorasan in the Period Sultan Husayn // Journal Khorasan Quarterly of Culture and Social Studies, 2016. Volume 10, № 39. – P. 91-120.
20. Martin F. The miniature painting and painters of Persia, India and Turkey from the 8th to the 18th century. Vol. I. – London: Bernard Quaritch, 1912. – P. 112.
21. Mihan Sh. The Baysunghuri manuscript in the Malek Library / Shahnama Studies III: The reception of the Shahnama. – Leiden, Boston, 2018. – 373-419 p.
22. Mustafa Ali. Epic Deeds of Artists. Edited, translated and commented by Esra Akin-Kivanc. Leiden-Boston: Brill, 2011. P. 206.
23. Natif M. The Zafarnama (Book of Conquest) of Sultan Husayn Mirza / Insights and Interpretations. – Princeton: Princeton University Press, 2002. – P. 211-228;
24. Robinson B. Prince Baysonghor’s Nizami: A speculation // Ars Orientalis, Vol. 2, 1957. – P. 383-391; Alparslan A. Le Plus Grand Coran du monde et Baysoungour / M. Ugur Derman armagani: 65-yasi munasebetiyle sunulmus tebligler. M. Ugur Derman Festschrift: papers presented on the occasion of his sixty-fifth birthday. – Istanbul: Sabanci Universitesi Iletisim Merkezi, 2000. – P. 135-139;
25. Roxburgh D. Baysunghur’s Library: Questions Related to its Chronology and Production // Journal of Social Affairs 18, no. 72, 2001. – P. 11–41;
26. Şahin M. Mîrzâ Şahruh’un oğlu Mîrzâ Baysungûr’un sanat ve sanatçilara bakişi açisindan değerlendirilmesi // Tarih okulu dergisi, 2014, №8. – S. 165-184;
27. Samarqandi Mir Davlatshah. Tadhkirat al-shu’ara/ A Century of Princes: Sources on Timurid History and Art. Selected and translated by W.Thackston. – Cambridge. – Massachusetts, 1989. – P. 21.
28. Soucek P., Chagman F. A Royal Manuscript and Its Transformation: The Life History of a Book. / The Book in the Islamic World. The Written and Communication in the Middle East. Edited by George N. Atiyeh. – Albany: State University of New York Press, 1995. – P. 179-208;
29. Stchoukine I. Une Khamseh de Niẓāmī de la fin du règne de Shāh Rokh / In: Arts asiatiques, tome 17, 1968. – Р. 45-58.
30. Sugimura T. The Chinese Impact on Certain Fifteenth Century Persian Miniature Paintings from the Albums (Hazine Library Nos. 2153, 2154, 2160) in the Topkapi Sarayi Museum, Istanbul. PhD diss., University of Michigan, 1981. – 398 p.;
31. Yu Y. Representing Ming China in Fifteenth-Century Persianate Painting // Ming Studies, 2018, no. 78. – P. 57-73
2. Акимушкин О. Ф. Заметки к биографии Камал ад-Дина Бехзада / в кн. Средневековый Иран. Культура, история, филология». – СПб. Наука. 2004. – С. 68-73.
3. Акимушкин О. Легенда о художнике Бехзаде и каллиграфе Махмуде Нишапури / в кн. Средневековый Иран. Культура, история, филология. – СПб. Наука. 2004. – С. 59-63;
4. Заҳириддин Муҳаммад Бобур. Бобурнома. / Танланган асарлар. Нашрга тайёрловчилар С.Азимжонова ва А.Қаюмов. – Тошкент., 1958. – Б. 211.
5. Кази Ахмед. Трактат о каллиграфах и художниках (1005/1596-7). – С.71-73.
6. Кубо Кадзуюки. Меценатская деятельность Алишера Навои // Общественные науки в Узбекистана. 1991, №9. – С.25.
7. Муродов А. Марказий Осиё хаттотлик санъати тарихидан. – Тошкент.: Фан, 1971. – Б. 39.
8. Юсупова Д. Жизнь и труды Хондамира. – Ташкент.: Фан, 2006. – С. 157.
9. Abolala Soudavar, Art of the Persian Courts. – New York: Rizzioli, 1992. – P. 67. cat. no 25.
10. Akbari T., Bayani S. Archaelogical Analysis to Pictorial Shahnameh of Baysongor Mirza Tiymouri // Asian Culture and History; Vol. 5, No. 1; 2013. – P. 24-33;
11. Akimushkin O. The Library-Workshop (Kitabkhana) of Baysunghur Mirza in Herat // Manuscripta Orientalia. – Saint Petersburg, 1997. – № 3/1. – P. 15.
12. Catalogue of Fine Oriental Manuscripts and Miniatures including Property from the Eastate of King Umberto II of Italy. – London, Monday 15th October 1984. – №292.
13. Dodhudoeva L. La bibliothèque de Khwâja Mohammad Pârsâ // Boukhara-la-Noble. 1998. – № 5/6. – P. 125-146.
14. Dost-Muhammad. Preface to the Bahram Mirza Album / A Century of Princes: Sources on Timurid History and Art. Selected and translated by W.Thackston. – Cambridge. – Massachusetts, 1989. – P. 346
15. Ettinghausen R. An illuminated manuscript of Ḥāfiẓ-i Abrū in Istanbul. Part I // Kunst des Orients Vol. 2 (Oktober 1955). – Р. 30-44;
16. Ghiasian Mohamad Reza. Lives of the Prophets: The Illustrations to Hafiz-i Abru’s “Assembly of Chronicles.” – Leiden, Boston: Brill, 2018. – P. 25.
17. Inal G. Some Miniatures of the "Jāmi' al-Tav Ārīkh" in Istanbul, Topkapi Museum, Hazine Library No. 1654 // Ars Orientalis, Vol. 5 (1963). – Р. 163-175;
18. Kühnel E. Die Baysonghur-handschrift der Islamischen Kunstabteilung // Jahrbuch der Preuszischen Kunstsammlungen, 52. Bd., 1931. – P. 133-152;
19. La’lshateri M. Art of Khorasan in the Period Sultan Husayn // Journal Khorasan Quarterly of Culture and Social Studies, 2016. Volume 10, № 39. – P. 91-120.
20. Martin F. The miniature painting and painters of Persia, India and Turkey from the 8th to the 18th century. Vol. I. – London: Bernard Quaritch, 1912. – P. 112.
21. Mihan Sh. The Baysunghuri manuscript in the Malek Library / Shahnama Studies III: The reception of the Shahnama. – Leiden, Boston, 2018. – 373-419 p.
22. Mustafa Ali. Epic Deeds of Artists. Edited, translated and commented by Esra Akin-Kivanc. Leiden-Boston: Brill, 2011. P. 206.
23. Natif M. The Zafarnama (Book of Conquest) of Sultan Husayn Mirza / Insights and Interpretations. – Princeton: Princeton University Press, 2002. – P. 211-228;
24. Robinson B. Prince Baysonghor’s Nizami: A speculation // Ars Orientalis, Vol. 2, 1957. – P. 383-391; Alparslan A. Le Plus Grand Coran du monde et Baysoungour / M. Ugur Derman armagani: 65-yasi munasebetiyle sunulmus tebligler. M. Ugur Derman Festschrift: papers presented on the occasion of his sixty-fifth birthday. – Istanbul: Sabanci Universitesi Iletisim Merkezi, 2000. – P. 135-139;
25. Roxburgh D. Baysunghur’s Library: Questions Related to its Chronology and Production // Journal of Social Affairs 18, no. 72, 2001. – P. 11–41;
26. Şahin M. Mîrzâ Şahruh’un oğlu Mîrzâ Baysungûr’un sanat ve sanatçilara bakişi açisindan değerlendirilmesi // Tarih okulu dergisi, 2014, №8. – S. 165-184;
27. Samarqandi Mir Davlatshah. Tadhkirat al-shu’ara/ A Century of Princes: Sources on Timurid History and Art. Selected and translated by W.Thackston. – Cambridge. – Massachusetts, 1989. – P. 21.
28. Soucek P., Chagman F. A Royal Manuscript and Its Transformation: The Life History of a Book. / The Book in the Islamic World. The Written and Communication in the Middle East. Edited by George N. Atiyeh. – Albany: State University of New York Press, 1995. – P. 179-208;
29. Stchoukine I. Une Khamseh de Niẓāmī de la fin du règne de Shāh Rokh / In: Arts asiatiques, tome 17, 1968. – Р. 45-58.
30. Sugimura T. The Chinese Impact on Certain Fifteenth Century Persian Miniature Paintings from the Albums (Hazine Library Nos. 2153, 2154, 2160) in the Topkapi Sarayi Museum, Istanbul. PhD diss., University of Michigan, 1981. – 398 p.;
31. Yu Y. Representing Ming China in Fifteenth-Century Persianate Painting // Ming Studies, 2018, no. 78. – P. 57-73
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