AGATHA KRISTINING BADIIY OLAMI: JANR POETIKASI, NARRATIV ARXITEKTURA VA USLUBIY IQTISOD
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Ushbu maqola Agatha Christie ning badiiy olamini janr poetikasi, narrativ arxitektura va uslubiy iqtisod nuqtai nazaridan tahlil qiladi.
Narratologik va strukturaviy yondashuvlarga tayangan holda, tadqiqot Kristi qanday qilib murakkab detektiv syujetlarni yaratib, shu bilan
birga shakliy aniqlik va o‘quvchi uchun qulaylikni saqlab qolishini o‘rganadi. Asosiy e’tibor uning narrativ nuqtai nazarni boshqarishi,
vaqt tashkiloti va dalillarning semiotik kodlanishiga qaratilgan. Tadqiqot shuni ko‘rsatadiki, Kristi ijodi nafaqat klassik detektiv adabiyot
an’analarini mustahkamlaydi, balki innovatsion narrativ strategiyalar orqali ularni qayta talqin qilib, janrning epistemologik asoslarini
qayta belgilaydi
1. Christie A. The Murder of Roger Ackroyd. London: Collins Crime Club, 1926.
2. Christie A. Murder on the Orient Express. London: Collins Crime Club, 1934.
3. Christie A. And Then There Were None. London: Collins Crime Club, 1939.
4. Todorov T. The typology of detective fiction. In The poetics of prose Ithaca, NY: Cornell University Press. 1977.-P.42-52.
5. Barthes R. S/Z. New York, NY: Hill and Wang. 1974.
6. Genette G. Narrative discourse: An essay in method (J. E. Lewin, Trans.). Ithaca, NY: Cornell University Press. 1980
7. Cawelti J. G. Adventure, mystery, and romance: Formula stories as art and popular culture. Chicago, IL: University of Chicago Press.1976.
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