AMERIKA ADABIY TAFAKKURIDA YOVVOYI TABIAT KONSEPSIYASI VA HEMINGUEY IJODIY ESTETIKASI
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Maqolada Amerika adabiy tafakkuridagi yovvoyi tabiat konsepsiyasining shakllanish yo‘li va uning Ernest Heminguey ijodiy
estetikasidagi o‘ziga xos ko‘rinishi tahlil qilinadi. Konsepsiyaning uch tarixiy qatlami – chegara tafakkuri, romantik idealizatsiya
va ekologik qayta baholash ajratiladi. Yozuvchi estetikasining tayanch belgilari, ya’ni kasbiy bilimga tayanish, tabiatning ikki
qutbli tasviri va jonzotga nisbatan sheriklik munosabati asliyat matnidan olingan parchalar asosida ko‘rsatiladi. Tahlil natijasida
Heminguey estetikasida yovvoyi tabiat na dushman, na ideal, balki teng kuchli hamroh sifatida qabul qilinishi asoslanadi
1. Nash R.F. Wilderness and the American Mind. – 5th ed. – New Haven: Yale University Press, 2014. – 426 p.
2. Buell L. The Environmental Imagination: Thoreau, Nature Writing, and the Formation of American Culture. – Cambridge,
MA: Harvard University Press, 1995. – 586 p.
3. Garrard G. Ecocriticism. – 2nd ed. – London; New York: Routledge, 2012. – 248 p.
4. Strychacz T. Hemingway’s Theaters of Masculinity. – Baton Rouge: Louisiana State University Press, 2003. – 296 p.
5. Hediger R. Hemingway’s Animals: Ecology of Meaning // Our Animals, Ourselves. – Amherst: University of Massachusetts
Press, 2016. – P. 61–88.
6. Sylvester B.D. The Sea as Metaphor: A Reading of “The Old Man and the Sea” // The Hemingway Review. – Moscow,
Idaho, 1986. – Vol. 5, No. 2. – P. 34–41.
7. Hemingway E. The Old Man and the Sea. – New York: Charles Scribner’s Sons, 1952. – 140 p.
8. Hemingway E. The Snows of Kilimanjaro and Other Stories. – New York: Charles Scribner’s Sons, 1955. – 154 p
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