ISSUES OF PLURALITY IN UZBEK NATIONAL STATUS ART

This article covers a wide range of vocal traditions in Uzbek national status art. This genre of status art occupies a special place in the cultural and musical heritage of our people with its uniqueness. The article provides an in-depth analysis of the historical roots of status, stages of development and their place in modern performance. At the same time, the importance of status Art is discussed not only in traditional performance, but also in the modern musical scene. It has been singled out that the multi-voice performance styles of maqam are one of the rich aspects of the National Music Heritage. This article covers extensively the structural and emotional aspects of maqam compositions, their aesthetic impact of the contribution they contribute to international musical culture. Attention is also paid to the issues of the development of maqam music with the help of new technologies and its popularization among the younger generation