THE ROLE OF MIRAJNAMA IN THE STRUCTURE OF THE FIRST POEMS OF “KHAMSA” (USING THE EXAMPLES OF “MAKHZAN UL-ASRAR”, “HAYRAT UL-ABROR”, AND “GULSHAN UL-ANVAR”)

Poem, structure, Muhammad (peace be upon him), first poem, night of ascension, divine love, tradition, artistic mastery, originality.

Authors

  • Nigora SHARIPOVA Navoiy davlat universiteti doktoranti, Navoiy innovatsiyalar universiteti dotsenti, PhD, Uzbekistan

Maqolada Nizomiy Ganjaviyning “Maxzan ul-asror”, Alisher Navoiyning “Hayrat ul-abror”, Toshlijali Yahyobeyning “Gulshan ul-anvor” dostonlari strukturasida basmala, hamd, munojot va vasf-na’tlardan keyin keluvchi me’rojnoma na’tlarning “Xamsa” birinchi dostonlari kompozitsiyasida tutgan o‘rni, Me’roj tuni tasvirida har muallifning individual ifoda uslubi tahlilga tortilgan. Turli davr va turli tillarda yaratilgan mazkur dostostonlardagi me’rojnomalarni birlashtirib turuvchi Muhammad mustafo (s.a.v.) siymosini yaratishda muallif badiiy mahorati masalasiga e’tibor qaratilgan.